'A rip-roaring adventure. and an almost Swiftian satire on human piety and vanity.' Nicholas Lezard, The Guardian
Authored by many of the world's leading experts on high-Tc superconductivity, this volume presents a panorama of ongoing research in the field, as well as insights into related multifunctional materials. The contributions cover many different and complementary aspects of the physics and materials challenges, with an emphasis on superconducting materials that have emerged since the discovery of the cuprate superconductors, for example pnictides, MgB2, H2S and other hydrides. Special attention is also paid to interface superconductivity. In addition to superconductors, the volume also addresses materials related to polar and multifunctional ground states, another class of materials that owes its discovery to Prof. Muller's ground-breaking research on SrTiO3.
"A Strange Manuscript Found in a Copper Cylinder" is the most popular book by James De Mille. It was serialized posthumously (and anonymously) in Harper's Weekly and then published in book form in 1888.
This satiric and fantastic romance is set in an imaginary semi-tropical land in Antarctica inhabited by prehistoric monsters and a cult of death-worshipers called the Kosekin. Begun many years before it was published, it is reminiscent of Edgar Allan Poe's "The Narrative of Arthur Gordon Pym of Nantucket" and anticipates the exotic locale and fantasy-adventure elements of works of the "Lost World" genre such as Arthur Conan Doyle's "The Lost World," Edgar Rice Burroughs' "The Land That Time Forgot," as well as innumerable prehistoric-world movies based loosely on these and other works. The title and locale were inspired by Edgar Allan Poe's "Ms. Found in a Bottle."
It was unfortunate for De Mille's reputation as a writer that this work, his best, was published after H. Rider Haggard's "She" and "King Solomon's Mines," for although Haggard's works were well known by then, the actual composition of De Mille's romance pre-dated the publication of these popular romances, and his ideas were not in the least derivative from Haggard's.
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